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The Morosini Hunting Carpet: A Tabriz Treasure

17 September 2024

Produced by the Department of Digital Experience and the Museum of Islamic Art

This beautiful carpet, displayed at the Museum of Islamic Art, was woven in the early 11th century AH (17th century CE) in the workshops of Tabriz in northwest Iran. Renowned for its impeccable balance of design and harmonious yet vibrant colours, it is one of the best-preserved Safavid hunting carpets.

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Between the 8th and 13th centuries AH (14th to 19th centuries CE), Iran defined its geographic territories and expanded its political influence. Ruling dynasties created cultural and artistic languages that were widely appreciated beyond Iran’s borders, especially in the courts of Central and South Asia, where Persian was often the official language. Diplomatic and trade relations were also established with European countries as Iran became a key political partner. High-quality carpets, textiles and manuscripts were prized possessions of the elite and important exports for Iranian economy.

The Shah Suleiman-Morosini Hunting Carpet represents a splendid example of Persian carpet-making with its intricate design, vivid colours and meticulous craftsmanship. This large carpet, with its monumental yet harmoniously conceived design and remarkable state of preservation, is a masterpiece of Safavid carpet knotting.

Design and Symbolism

Explore the details of this carpet’s meticulous craftsmanship.

Acquisition of the Carpet by MIA

After its completion, the carpet remained in Iran, in the royal collections, until the Safavid Shah Suleyman I (r. 1076-1105 AH/1666–1694 CE) gifted it to Francesco Morosini, a prominent 17th-century Venetian sea captain elected Doge of Venice in 1688 CE. Often compared with other medallion and hunting carpets from different regions, it has been dated to the 11th century AH (17th century CE), even though in style it clearly precedes the reign of Shah 'Abbas I (r. 996-1038 AH/ 1588-1629 CE).

The carpet remained in the hands of the Morosini family in their Venetian palace until 1894, which explains its wonderful condition. It was sold at the Morosini sale in Venice in that year and entered different private international collections until it was acquired by Sheikh Saoud Al Thani in 1998-1999 for the collection of MIA.

This carpet was most likely made as a gift rather than for commerce. Very few great Safavid carpets have lasted more than four centuries in such remarkable conditions. At the time of its acquisition in 1998, it was one of the very few major Safavid carpets still in private collections.

Produced by the Department of Digital Experience and the Museum of Islamic Art

See It In Person

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The Morosini carpet displayed along with other carpet collections from the Safavid period.

The Shah Suleiman-Morosini Hunting Carpet stands as a proud centerpiece of the Museum of Islamic Art's collection, offering visitors a glimpse into the opulence and sophistication of the art from Iran during the Safavid period. The carpet is on view in Gallery 14 at MIA. Plan your visit today to see it in person, along with other carpets from the Safavid era.

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